Randy Vincent's 200-page complete guide to three-note jazz guitar voicings and related. For everyone from intermediate newcomers to jazz guitar up to very advanced players, the book. Jazz Guitar Voicings Vol.1: The Drop 2 (Guitar Solo with 2 Free. Get your Kindle here, or download a FREE Kindle Reading App. Jazz Guitar Voicings - Vol.1: The Drop 2 Book [Randy Vincent] on Amazon.com. *FREE* shipping on qualifying offers. Have you ever wondered how guitarists like Joe Pass, Wes Montgomery and George Benson find such full.

In this lesson on Drop2 chords I want to demonstrate a set of voicings that are fairly easy to play on the guitar and very useful for playing chords with extensions. I also want to talk a bit about how you approach playing chords in terms of interpretation of chord extensions, substitutes, connecting or voice-leading the chords. Hopefully it can help you learn and construct some new chords, and I hope it also helps you find new ways to play songs you already know and expand your ability to play chords freely. You should quickly notice that these basic inversions of an Am7 chord are very difficult to play and almost impossible to change a note in. Mainly because they are very stretchy to play. The term Drop2 comes from taking the 2nd higest note in each one and drop it down an octave.

This makes it possible to get the notes together in one position and yields the 4 voicings in the 2nd bar of example 1. As you can tell these voicings are much easier to play and much more flexible so that we can change notes in them (that will prove essential in later lessons.) Basic Exercises I chose to keep it simple and only work with the top set of strings. In the long run it can be very useful to also check out the middle set of strings and possibly the lowest set. A complete overview of the drop2 voicings can be found here: If you have checked out my lesson: You know that in a major scale we have four basic types of 7th chords: m7, dom7, maj7 and m7b5. Here are the voicings for those 4 types of chords on the top string set.

This way of grouping the chords together in the order you are very likely to use them is of course also very handy. And important part of the cadences is also that I chose vocings that have correct voiceleading which in this case means that you just stay in the neighbourhood whenever changing to the next chord. You could consider doing the minor cadences too.

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Another very useful exercise is to take the different drop2 inversions through a major scale as I have done in example 4. I only did two of the inversions, maybe try to figure out the last 2 by yourself. It should help getting to know major scales on the strings besides training the voicings themselves. You could with this exercise of course try starting with each of the Cm7 voicings and then work out how to play the whole song, it will present you with choices because the guitar (like all instruments) have certain limitations for how low or high you want to go and then you should just try to find a practical and musical solution, that is how it works in a playing situation so that is what you should practice too.

In the next part of the drop2 lessons I’ll start working on how to add extensions and alterations to the voicings. I’ll also give some more practical advice on how to use the voicings. I hope you can use the exercises to get started working on Drop2 voicings and that you can get it into you playing. Check out how I use Drop2 voicings in this 3 chorus transcription/lesson.

You can also download the PDF of my examples here: Jazz Guitar Insiders Facebook Group Join 600+ Other Jazz Guitarists 🎸Join us in the Facebook Jazz Guitar Group Community: If you have any questions, comments or suggestions for topics then please let me know. Leave a comment on the video or send me an e-mail. That is the best way for me to improve my lessons and make them fit what you are searching for. Please subscribe to my and feel free to connect with me via, or to keep up to date with new lessons, concerts and releases.